Bruno Biermann, M.A.
- Doktorand
- Address
- Religionswissenschaftliches Seminar, Kantonsschulstrasse 1, 8001 Zürich
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Since 10/2020 |
Ph.D. researcher University of Zurich. SNF Sinergia project “Stamp Seals from the Southern Levant. A Multi-Faceted Prism for Studying Entangled Histories in an Interdisciplinary Perspective” |
Since 09/2021
|
Ph.D. student Old Testament studies Dissertation title: Seals and Sealing in the Ancient Levant and Biblical Literature: A Gender-Historical Perspective; Supervisors: Prof. Dr. Silvia Schroer (University of Bern) and Prof. Dr. Christoph Uehlinger (University of Zürich) |
07/2020 |
M.A. Protestant Theology University of Tübingen |
09/2017–06/2018 |
Ecumenical study program “Studies in the Middle East” Near East School of Theology Beirut, Lebanon |
10/2015 |
B.A. Protestant Theology University of Münster |
04/2012–07/2020 |
Studies in Protestant Theology Erlangen-Nürnberg, Münster, Basel and Tübingen |
What do we know about the gender and sex of the wearers and users of stamp seals in the Levant? It turns out, very little. Thus, my thesis inquires how knowledge is produced about seals concerning gender, sex, and sexuality by biblical and archaeological scholarship and within ancient literature.
Previous research has emphasized the marginality of female seal ownership in Iron Age Judahite society. Thereby it frames women's seals as scarce and exceptional items while relying on largely unprovenanced artifacts. Furthermore, this approach lacks a theoretical grounding in feminist theory and gender studies and projects androcentric biases onto individual finds. Engaging with feminist and gender theory as well as archaeology, my research reevaluates dominant interpretations within scholarship discourse and transgresses beyond the Iron Age framework of previous studies.
Based upon this, my thesis investigates the relationship between seals and bodies within material culture and biblical literature. Therefore, I elaborate on how seals and sealing practices are related to ancient bodies, gender, sex, and sexuality. I inquire, how seals—as material culture and within the literature—are part of the production and distribution of knowledge and power concerning gender and body norms?